Tensions between past and present: Exploring the gothic, the liminal and the mythical in the urban fantasy narratives of China Mieville and Charles de Lint.

Mannolini-Winwood, S. (2018) Wokół definicji fantastyki miejskiej. Transl. Krzysztof M. Maj. Creatio Fantastica, 1(58). doi: 10.5281/zenodo.1419521

Really, how urban is that urban fantasy?

Here is an easy 10 question quiz to determine whether what you are reading, or even what you are writing, can fit comfortably into the category of Urban Fantasy.

Mannolini-Winwood, S. (2018). Fear, anxiety and dread: Examining the influence of antecedent

A primary characteristic that separates urban fantasy (UF) from other fantasy subgenres is the protagonist. Perhaps more than any other genre, fantasy narratives are focused on the journey of the protagonist or, more commonly, the journey of the hero.

The vampire is a creature of popular legend, and one that has fascinated countless cinema-goers for more than one hundred years. Vampires have been featured in folklore and fiction in various cultures.

Urban fantasy (UF) as a sub-genre arose in the 1980s and presented an alternative view of the heroic female protagonist. As UF has developed, a new archetype has emerged – the urban hunter.

Fundamentally superhero costumes are vital for the industry because they establish iconography and create the brand.

Kickstarter is a crowd funding website focused on creativity. The name comes from the direct definition, which is something that “provides an impetus to start or resume a process,” such as the device to start an engine with a downward thrust on a pedal.